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Separate Tables, by Terrence Rattigan (Signet, 1958). From a charity shop in Nottingham.
deliciae-delectae: objects-for-male-use: Discipline: an integral part of every relationship. I gather this scene is from “Beloved Infidel.” Seems like Gregory Peck was too much the gentleman to slap Deborah Kerr’s ass properly. Reblogging anyway,
baby-vintage: Burt Lancaster and Deborah Kerr
King Solomon’s Mines, by H. Rider Haggard (Dell, 1950).From a box of books bought on Ebay.
silverscreensatin: Deborah Kerr
divineandmajesticinone:Deborah Kerr as Sister Clodagh in BLACK NARCISSUS (1947) | dir. Michael Powell and Emeric Pressburger
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fuckyesoldhollywood: Gregory Peck and Deborah Kerr on the set of ‘Beloved Infidel’, 1959
Dean Martin and Deborah Kerr go-go dancing in Marriage on The Rocks
deborahkerr: Deborah Kerr photographed by Bob Landry, 1947
deborahkerr: Deborah Kerr in a costume test for An Affair to Remember (1957)
fuckindiva: Deborah Kerr by Bob Landry, 1947
Deborah Kerrhttps://painted-face.com/
olivethomas:Deborah Kerr on the set of Separate Tables, 1958
Burt Lancaster & Deborah Kerr Nudes & Noises
Deborah Kerr
theniftyfifties: Deborah Kerr and Burt Lancaster in ‘From Here to Eternity’, 1953.
celluloidsnogs: Famous Classic Movie Kisses : From Here To Eternity (1953) Burt Lancaster & Deborah Kerr Dir. Fred Zinnemann Karen: “I never knew it could be like this. Nobody ever kissed me the way you do.” 2 kisses for the price of 1: A completely
chasing-deer-woman: Deborah Kerr and Burt Lancaster in From Here to Eternity (Fred Zinneman, 1953) This
theniftyfifties: Deborah Kerr
montydave: Montedave: ‘Why do I always have to do the Deborah Kerr part?”
dmvance: Adam Fletcher Channeling Burt Lancaster (sans Deborah Kerr) in FROM HERE TO ETERNITY.
divineandmajesticinone: Deborah Kerr inTHE LIFE AND DEATH OF COLONEL BLIMP (1943) | dir. Michael Powell, Emeric Pressburger
